Tuesday, 19 October 2010

My Granny's Dresses

The most wonderful unexpected package arrived above the shop a few days ago. Inside were eight small girls dresses handmade by my late grandmother, some for me and some for my mother and aunt when they were children. My aunt Sarah found them in her attic in Sheffield whilst looking for something else.

I was, needless to say, over the moon. What a beautiful surprise.

There is so much I could say about the extraordinary life and times of my beloved granny, Elena Zadik. For now I will just let her skill speak for itself:




I wore this dress and matching bloomers - made from Liberty tana lawn - to my aunt's wedding aged eighteen months.



This one also has matching bloomers. What I love about it is that it is pretty without being sugary. All these girls dresses and no pink, my current read Natasha Walter would approve.






The dress below, one of the older ones, is made from parachute silk. After the second world war it was plentiful.





Look at the detail on the back. Sigh.





This one below is my favourite. The buttons with looped buttonholes, the print, the way the navy, turquoise and chocolate brown work together, it is exquisite and so very much of its time (the late seventies). You put a little girl in prints like this and what chance has she got? Years later she will collect such fabrics and have no more room for her vintage crockery collection. 



My daughter Eva has been wearing it as a blouse with jeans. Although it makes me nervous I think they should be worn and not just packed away.  


The simplicity of the white really makes the tomato red stitching pop out, like redwork. Gorgeous.


She was a good doctor. Thinking about the meticulous hand that smocked these dresses, it is easy to believe.


Of course, strictly speaking these are not things I made - I doubt I will ever make clothes as skilled as these - but they will inspire me beyond measure.


PS For all the people who have kindly asked how they can subscribe to this blog, you should now be able to click on 'subscribe' at the top right. Thanks! 

Friday, 15 October 2010

Pom pom fringing is everywhere

Since I used it to edge my quilt I am seeing it everywhere, like a visual earworm. 
At a recent trip to the Tate Modern I saw it on the walls:


and in the shop:


Gauguin cushions. Yes, Gauguin cushions.


At the 12 Gallery on Saturday night for the opening of a new show by my friend and collaborator Lucy Steggals and Annabelle Dalby:


Beautiful carousel slide projectors at the opening of 'Origins and Approaches'


And here above the shop where I went through a lampshade phase recently:





the studio assistant



What is the word for this phenomenon?






Tuesday, 12 October 2010

An Indian summer quilt

Finally finished: 


This quilt has had a very syncopated rhythm. Fits of activity followed by several weeks of being ignored. In the days and weeks after the birth of the baby I would rush to it whenever I could. Just to sew for twenty minutes made those hectic days easier.


I had been planning it in my mind for a long time. I knew I wanted strong simple geometric shapes so that the fabrics could speak for themselves. Baby's blocks fitted the bill perfectly. 


I also knew that it had to be done as quickly as is possible with a technique that is by definition slow. I did not want to still be making it in two years time (I have form). Deciding to make it a runner was part of that decision. A trip to the wonderful V&A quilts exhibition in the spring inspired me to get on with it. 

When it came to the 'how' of making it, I looked at lots of pictures on Flickr, got inspired by a few blogs, most notably Alicia Paulson's, read a few books, and just muddled through my own way using raw edges, zig zag stitch and fusible interlining.


As befits a patchwork, the fabrics are from many different places. Above you can see the selvedge of a limited edition Liberty print done for the V&A show. There are also some Liberty offcuts, some from my stash, a vintage fair, a couple of Japanese on-line treats and a few from my local haberdashery. I also added some trimmings into the mix.



It has turned out just how I hoped: a simple, not too fussy or pretty summer quilt. So pleased I actually finished it!

Sunday, 10 October 2010

Cereal box marble run

This has been a great addition to the kitchen:



I love marble runs. An early childhood memory is the one belonging to my cousin Eliane, a great wooden skyscraper of a thing. So it was with great excitement that I read this post at Made by Joel, and had to have a go.


I added another slope to our marble run and folded the card up on one side to create a lip to stop the marbles falling off. We also did a quick decoupage/papier mache-style decoration on the sides by brushing diluted PVA glue over torn up bits of paper from the saved special bits of paper drawer. Embrace the inner magpie I say. The tearing-up and gluing bit was fun for Eva to help with.




I have dreams of adding a fully-functioning Alpine ski scene and a steam train with working station. But this will do for now.

Friday, 8 October 2010

Playdough

My older daughter is only two, something I have to remind myself of when we are discussing the finer points of how exactly mermaids go to the toilet, or whether rabbits like rain. 





When it comes to crafting I have to really hold in check the part of me that dreams of a rosy glow afternoon of mother and daughter making side-by-side. Whilst this does happen more and more, it is still very fleeting. I hope the fleeting minutes will stretch as she gets older, but I know the worst thing I can do is force it. So I try to play it cool. 





This project is perfect for the here and now. Rich with creative possibilities and great for very small hands. 



I think the addition of glitter gives it a great inter-galactic look.



Tactile, cheap, colourful, a bit smelly, and easy to adapt.  Who does not love playdough? Mother and daughter very happy. 


Of all the recipes I have tried, this is the best. My thanks to Ella and Rosie of the Paint Pots Art Club for it, and for many happy and messy Wednesday mornings.

Playdough recipe
200g plain flour
100g salt
300ml water (this should include any food colouring)
2 tsp cream of tartar
1 tabs oil


For the microwave:
Stir all the ingredients in a bowl. Microwave on full setting for one minute. Stir. Cook for  another minute. Stir. Cook for two more minutes. Take the mixture out of the bowl, let it cool and knead well. 


For the stove:
Place all the ingredients in a pan. Cook on a low heat whilst stirring constantly. When stiff remove from the heat, let it cool and knead well. Be sure to put the pan in water to soak immediately.

Tuesday, 5 October 2010

A work roll for a writer

A writer friend of mine had a birthday so I made her this work roll: 



She can put in a paperback, a notebook or two, and three pens or pencils. Just right for the scribe about town. I kept the colours quite understated because this writer is going places, and whilst I know she loves vintage Miffy fabric, perhaps this look is better for those high-powered meetings.



These are such a joy to make and have become a firm favourite for presents. They can be made in one sitting and the pattern is straightforward. 



Hours of endless fun thinking about print and colour combinations. 
Here are some I made earlier for two small children:






I got the pattern from breadandbuttons. You can download it free on the sidebar of her homepage.





 I have adapted mine for the adults: larger in size, stronger fabric (the one shown here uses canvas lining which works beautifully) and different placing of the pockets. I wanted them to have room for a paperback. For the children's rolls, I measured them to fit a ladybird book. Form and function. Lovely.

a year above the shop

a year above the shop